person
Anna Austen
Anna
also: Anna, Mrs. B. Lefroy, Anna Lefroy, Mrs. Benjamin Lefroy, Mrs. Lefroy
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art -- 'three or four families in a country village is the very thing to work on'.
Reading notes
- To Cassandra, Bath, 2 June 1799 §4 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Godmersham, 15 June 1808 §13 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Godmersham, 26 June 1808 §5 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Southampton, 9 December 1808 §23 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Southampton, 27 December 1808 §16 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Southampton, 10 January 1809 §25 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Southampton, 17 January 1809 §8 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Southampton, 24 January 1809 §19 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Chawton, 31 May 1811 §11 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Chawton, 6 June 1811 §11 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, London, 16 September 1813 §19 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Godmersham, 11 October 1813 §11 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Godmersham, 3 November 1813 §20 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, London, November 1814 §4 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Cassandra, Chawton, 8 September 1816 §18 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Fanny Knight, Chawton, 18 November 1814 §18 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Anna, Chawton, September 1814 §10 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.
- To Anna, Chawton, September 1814 §5 Anna
James's daughter, herself a novel-writer at twenty; Jane's letters of 1814 critiquing her manuscript are Austen's fullest surviving statements on the art — 'three or four families in a country village is the very thing to work on'.